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No loss of fine detail 纤毫毕现

有问题?点下面:
  • 1985
  • 德国
  • Joachim Gerhard
  • www.audiophysic.de
  • Almerfeldweg 38,59929 Brilon
  • 0049-2961-96170
  • info@audiophysic.de
  • 0049-2961-51640
  • 德国Audio Physic成立于1985年,是一家专门生产高级音箱的生产厂家。 Audio Physic的产品最大的特色就是音箱的前障板很窄,可减少有害的“障板效应”,所以当你听Audio Physic的产品时,你会觉得Audio Physic的音箱的音场相当宽阔。而两只低音单元则放置在音箱的两侧,低音单元还运用了Push-Pull技术(推挽式低音技术),这种技术主要是对低频的能量进行适当的加强,而且这两只单元的低频分频点设计在120Hz,这样能方便消费者对音箱进行摆位。但是,这样的话会对其他喇叭单元要求很高。不过,Audio Physic公司有完善的喇叭单元开发技术和生产能力,所以喇叭单元的问题相当容易被解决。 Audio Physic工厂里面总共有15个员工,而这15个员工可以称得上是Audio Physic的核心。他们对Audio Physic公司内部的情况以及产品的每一道工序都相当清楚,所以我很有信心能够保证产品质量的一致性。而在产品的销售情况方面,在以前Audio Physic有75%~80%的产品都是在德国销售的,而现在只有15%的产品在德国销售,其他的都出口到其他的国家,其中出口量最大的是欧洲的国家,其次是亚洲,最后是美洲等地。而且Audio Physic的销售额还以每年5%~10%的比率继续增长,估计今年我们要适量地增加员工的数量。 品牌沿革 1985年在一个犹如文艺复兴时期,充满教堂之音所传颂的Brilon 美丽小城 , Joachim Gerhard 创办了这家了不起的德国专业扬声器製造厂,从一开始他就坚持,我们用以评断喇叭好坏的标准,必须超越国籍带来的传统习性,也绝不能被国际间一时流行的短暂风气所影响,必须建立自己的中心设计思想,企业方能永续经营。因而造就了Audio Physic 对音乐再生诠释的全面性,并不像传统德国扬声器高度追求音响性的方向,因此 Audio Physic 的第一目标就是把活生生的音乐融入到用家的聆听室,伴随著令人惊讶的高度精确性,进而重生出如临现场般的3D空间细节及丰富的音乐性。从那个时候开始,世界上每一个音乐爱好者打从心灵深处所发出对音响的盼望,再生毫无损失的音乐细节,就成了Audio Physic 永远固守的信条 - No loss of fine detail。  设计理念 一、不妥协的完美  “ No loss of fine detail ” 对音乐裡最精微的细节丝毫无损完美再生的能力,正是 Audio Physic 扬声器二十多年来坚持的目标。这世界上有那麽多的喇叭厂,有些固守传统设计,有些试著利用声学原理改良产品特性,有些则致力于在一定的预算下提供某种还不错的声音。 Audio Physic 跟这些厂家都不一样,自成立以来就以绝对的完美,不妥协的完美为原则,因此才能生产出市场上最高C/P值产品。  二、 7 ° 倾斜角箱体  大部分音箱设计都是直立式,Audio Physic为了让音箱高音及低音的传输能同时到达聆听者,避免产生高频过量的刮耳噪讯,刻意将传输速率较快的高音向后7 ° 倾斜,如此一来完美的平衡了高中音单体间的速度及相位差。  三、VCT 抑震技术  Audio Physic採用独家之VCT (Vibration Control Terminal)抑震技术,是将喇叭接驳端以橡胶材质胶封固定于铝合金板,而一体成型的合金板也以类似泡棉强力双面胶固定于箱体背板,如此喇叭接驳端就完全隔绝缓衝了箱体共震,有效抑制箱体震动而造成经由喇叭端子回授至前端讯源的音频污染。 四、Push Push 侧置低音技术  德国Audio Physic成立至今已有27年的历史,虽然从一开始,他家的产品就以高性价比赢得Hi-End界一致好评,但现任老板兼执行长Dieter Kratochwil并不满足于现有技术的成就,于是就开始探索新的开发思路。 如何突破传统的技术局限,设计出更有代表性的产品呢? 加入Audio Physic至今有十七年之久的现任总设计师Manfred Diestertich领导的开发团队,意识到要解决现今音箱设计低音重播能力和音场、结像效果难以共存等种种问题,必须要抛开固有的音箱结构形式。  经过反覆不断的试验,侧置低音的设想浮现而出。 透过将口径最大的低音喇叭安置在箱体的侧板 push push 同相发声,使前障板得以儘可能做窄,就形成前窄后宽的倒水滴形状音箱,再加上非平行的侧音箱设计有助于抵消音箱内反射背波,从而有效降低前障板对中高频产生的绕射,大大改善了音场的还原能力,而且侧板上能够安装大口径的低音单元,令低音的重播也得到更高的水准。  五、HHCM 超级全方位圆锥中音  push push 侧置低音箱体的解决并不如想像般简单,通过一段时间的测试,Audio Physic发现侧置低音单元的效果仍然未如理想,问题的关键就出在低音单元的分频点设定在300Hz依然过高,人耳还是能分辨出带有指向性的上段低频,从而对结像、音场、础儩A应性都产生了严重的影响。  他们发现只有将侧置低音的分频点设定在150Hz,就能重播没有指向性的超低频段,才能有效解决问题。 换句话说,也就是要求中低音单元重播频率能够平直延伸至150Hz,否则,衔接就会出现问题。 但是,即使使用外购最高级的喇叭单元,也很难将中音音域延伸到理想状态,原因是这些产品的低频响应都很难线性延伸至150Hz以下。  于是,力求完美的Audio Physic决定不假手于人,自行设计开发中低音单元。 皇天不负有心人,在大概10年前,Audio Physic成扒}发出一款专利的5英寸口径的中低音单元,名为Hyper Holographic Cone Midrange(简称HHCM)超级全方位圆锥中音。 新中低音单元的出现彻底解决了上述分频点的问题,其线性工作频率非常之宽阔,能够平直涵�150Hz-2200Hz的频率,因此,Audio Physic新一代的25週年音箱产品从STEP 25、TEMPO 25所在的Hi-End系列及旗舰Reference系列产品全部使用HHCM中低音,这两个系列经过更新换代以后,其出色的效果更胜以往,从世界各地音响媒体及乐迷的超高评价及倍数销售数字可得到验证,相信Audio Physic推出的25週年纪念版又将此Hi-End品牌推高至新的成就里程碑。  Hyper Holographic Cone Midrange(简称HHCM)超级全方位圆锥中音分解 1、一体成型的合金外框架,坚固及高散热 2、双钕磁铁磁性更强更轻巧 3、塑胶材质的阻尼内框架,缓衝振膜与合金框架的震动干扰声,并且更加强了单体抑振效果 4、1.25吋圆柱型玻璃纤维音圈柱,更加坚固音圈结构 5、网状纤维材质弹波 6、表层经阳极处理具有高刚性陶瓷涂料的铝合金振膜 7、坚固的铝合金定位锥 六、HHCT II 超级全方位圆锥高音  Hyper Holographic Cone Tweeter II(简称HHCT II)超级全方位圆锥高音, 这颗高音单元外表看似软半球振膜,但其实不是,而是以镀铜铝线(CCAW)绕成音圈,并且在软半球外围环绕著一圈称作open cell的软质材料,类似悬边作用可有效解决高频绕射的问题,而在第二代产品中更採用了HHCM中音单体的独家双框架(double-basket)设计以降低聆振干扰,内框以特殊塑胶材料製成,外框则是铝合金材质,如此可保有单体良好的坚固性,同时具有优异的阻尼及散热作用,因此能将高频线性轻鬆延伸至40KHz以上。  Audio Physic官方网站的品牌介绍: No loss of fine detail High End – Made in Germany Music can put a smile on our faces, grab our attention and capture us in its web of expression when, and only when, all artists and all instruments hit the nail on the head and all of the details come together to form a great composition. This can only be achieved when even the tiniest detail makes the perfect contribution towards the overall piece and this is exactly what makes truly great orchestras, groups or individual artists stand out from the crowd. The situation is no different when it comes to loudspeakers. Only when all of a loudspeaker’s elements work together precisely, right down to the finest detail, can the reproduction of music also become an unparalleled experience. When this happens, music can really get under your skin and give you goosebumps. This is what we are aiming for with every one of our AUDIO PHYSIC loudspeakers. It is therefore only logical that here at AUDIO PHYSIC, we have been developing loudspeakers for over 25 years in line with our motto: no loss of fine detail. After all, if you fail to appreciate, or even completely forget, the small and fine elements of a construction that are nonetheless so important for the overall product, you will lose the connection to the essential focus: the music. Our loudspeakers are produced using a long and intensive process in which they are subjected to hundreds of listening tests, developed according to acoustic and aesthetic factors and continuously improved in terms of their details. This high level of dedication is not only applied to our top models, but to all of our loudspeakers. This consistent development strategy leads to stable product cycles and a high level of value retention, both of which are properties that are rarely encountered in these fast-moving times. Our German and international top ratings and awards are evidence of our high-quality approach, which has helped AUDIO PHYSIC to achieve an excellent reputation on an international scale. We are delighted that our loudspeakers attract a constantly growing fan community of music-loving friends all over the world. There is, however, one thing that our abundance of awards will never represent: a reason to rest on our laurels. In fact, our development team views them as an incentive to continue to increasingly push the boundaries in the construction of loudspeakers. You can only achieve such objectives if you have the courage to break new technological ground. For AUDIO PHYSIC, this courage is no empty promise, but has instead formed the focus of our work for over 25 years. After all, there is one thing that our products never were, never are and will never be: mainstream. Only with this approach are we able to achieve milestones in the field of loudspeaker construction, for example exceptional drivers like the MEDEA with its bending-wave drivers or the KRONOS with its intricate coaxial drivers. These loudspeakers caused an international sensation and were met with the highest approval. These models used to be the leading products in the AUDIO PHYSIC collection of loudspeakers, an honour which has now been bestowed on the CARDEAS. With its HHC-II drivers and many other examples of technical finesse, the CARDEAS is currently the pinnacle of technology, combining all of our experience, knowledge and ability to achieve one objective: no loss of fine detail. All of our loudspeaker models benefit from our experience and can confidently hold their own against any competitors in their respective price classes. In fact, tests prove that AUDIO PHYSIC loudspeakers often “set the tone”. Our success definitely also comes down to the fact that we view loudspeakers as ‘a whole’. After all, just like in a symphony orchestra, the perfect interaction of all individual elements is the essential factor. This is why the AUDIO PHYSIC developers pay great attention to even the most minor details in their search for flawless sound reproduction. They examine and analyse every technical element and check whether it can be optimised. The result of these efforts often remains invisible to loudspeaker users, but they can certainly hear it. The drivers that are mechanically decoupled from the cabinet or the buffered crossovers and terminals, for example, guarantee an even more accurate sound reproduction with even better attention to detail. One element that is immediately evident when you look at an AUDIO PHYSIC loudspeaker is its exemplary workmanship and high-quality finish, which has already become a proverbial characteristic of our products. This level of quality has formed the core of our work and objectives ever since our company was first established. Loudspeakers are ‘a whole’ and our AUDIO PHYSIC loudspeakers harmoniously integrate into their corresponding living environment, just like a high-quality piece of furniture. In line with this, you are able to choose between several different fine finishes in each of our models. Nevertheless, this is not where the production journey comes to an end. An AUDIO PHYSIC loudspeaker only leaves our factory once it has undergone careful testing involving using both measurement techniques and acoustic examinations. We document these tests for every single loudspeaker because we vouch for quality with our name. Our high-quality standards also mean that you can only purchase our loudspeakers from top-quality specialist dealers, where competent advice and exclusive service are a matter of course. As you can see, there are many excellent reasons as to why you should choose AUDIO PHYSIC. An AUDIO PHYSIC loudspeaker gives you ‘more’ and will put a smile on your face for many years to come, always in line with our motto: "no loss of fine detail".
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